ADOBE PREMIERE PRO 2014 UPDATE
ADOBE PREMIERE PRO 2014 PROFESSIONAL
ADOBE PREMIERE PRO 2014 SERIES

Using this feature can ensure some consistency, but it can be time-consuming, and if you change one clipвЂ™s effects, you have to go back and use Paste attributes all over again.

ADOBE PREMIERE PRO 2014 UPDATE

If you do need to update colors or other elements of your motion graphics, youвЂ™ll have to do so in After Effects, but when you do so and save your work, the graphic, of course, will get updated automatically in Premiere Pro.ДЇor you to be able to make text edits to After Effects compositions, you must have After Effects installed and the вЂњTemplate (unlocked text layers editable in Premiere ProвЂќ option turned on in After Effects.ДЄ useful feature in Premiere Pro is that you can select a clip in the timeline, then use вЂњPaste attributesвЂќ with other clips in the timeline to copy all of the first clipвЂ™s effects and effects implementations. But this feature can be really useful if you often reuse graphics-and, say, all you want to do is change the date or a name. You canвЂ™t change text properties or spacing, and you certainly canвЂ™t change anything else in the After Effects composition. You must have After Effects installed, too, and you must have enabled an option to unlock the text layers in After Effects before you add the graphics composition, but if youвЂ™ve done that, you can see the text layers as lines in a Premiere Pro panel, in which you simply retype what you want. Now, however, you can edit the text of those graphics without leaving Premiere Pro. The key to success with this procedure is to position the mask over relatively constant portions of the frame-inside the borders of a face, or over the solid background of a T-shirt.ДЄs with previous versions, you can incorporate motion graphics created in Adobe After Effects into Premiere Pro projects. If you want to obscure multiple subjects, then you must create multiple masks, and perform the tracking operation multiple times. If the subject does go behind an object, youвЂ™ll have to stop the operation, move the playhead to a point where the subject is visible, and continue the operation.

The вЂњrightвЂќ clip means one in which the subject doesnвЂ™t turn away from the camera or go behind other objects, though some head movement seemed to be okay. The process was a little slow on my getting-up-there workstation-about a frame per second-but with the right clip, it worked pretty well. With Premiere Pro CC 2014вЂ™s new Masking and Tracking feature lets you implement a simple mask to obscure faces, and then it will track that mask as your subject moves.

ADOBE PREMIERE PRO 2014 SERIES

As Premiere Pro analyzes, it creates a series of keyframes-one per frame. Click another button to analyze the clip. Select a clip in the timeline, add an appropriate effect (for example, Mosaic) to the clip, click a button in the Effects Controls panel to create a mask, then resize and position the mask over the offending portion of the video. The blurring process can be challenging in video, but Premiere Pro CCвЂ™s new Masking and Tracking features aim to make the process a tad easier. (Would you want your companyвЂ™s logo seen plastered on the chest of a just-arrested arson suspect?) Why? It can be to avoid revealing a confidential source, to get someone to talk on camera who wouldnвЂ™t otherwise, or simply to prevent a known-and litigious-brand from being accidentally associated with a controversial subject. YouвЂ™ve seen it on вЂњCops,вЂќ on вЂњ20-20,вЂќ even on the local television news-blurred-out faces of people, or blurred-out logos (or offensive statements) on subjectsвЂ™ T-shirts.

Premiere Pro CC 2014 lets you designate a вЂњmaster clip,вЂќ to which you can apply effects that are then applied to all instances of the clip on your timeline. A new feature in Adobe Premiere Pro CC 2014 can make that a much less tedious task.

ADOBE PREMIERE PRO 2014 PROFESSIONAL

If youвЂ™ve been caught in an embarrassing situation by the local 6 oвЂ™clock news crew, then youвЂ™ll appreciate that professional video editors often must protect the innocent by obscuring peopleвЂ™s faces in broadcasts, and in some cases, they may need to avoid trademark infringement by blurring company or product logos.

Adobe premiere pro 2014